Ebook Breakfast at Tiffany's and Three Stories, by Truman Capote
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Breakfast at Tiffany's and Three Stories, by Truman Capote
Ebook Breakfast at Tiffany's and Three Stories, by Truman Capote
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Review
“Truman Capote is the most perfect writer of my generation. He writes the best sentences word for word, rhythm upon rhythm.”—Norman Mailer
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From the Inside Flap
This volume includes three of Capote's best-known stories, "House of Flowers," "A Diamond Guitar," and "A Christmas Memory," in addition to his bestselling novel, Breakfast at Tiffany, the popular story of Holly Golightly--"a cross between Lolita and Auntie Mame" (Time).
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Product details
Paperback: 160 pages
Publisher: Vintage; Reprint edition (September 28, 1993)
Language: English
ISBN-10: 0679745653
ISBN-13: 978-0679745655
Product Dimensions:
5.2 x 0.5 x 8 inches
Shipping Weight: 5.6 ounces (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
569 customer reviews
Amazon Best Sellers Rank:
#51,469 in Books (See Top 100 in Books)
I read a few of the reviews presented here and some are long and involved filled with personal opinions of Holly versus their own lives and I think most people at this point are just wanting to hear if the book is worth putting out the ten bucks for. I am also one of those people who enjoyed the movie and I already knew the story was not going to be the same so I was keying on the writing. The writing is beautiful. They are all short stories, quickly read and enjoyable. The images within the meticulous writing are worthy of a first class writer. The money is well spent for someone who enjoys good writing. The stories are just what they are - stories.
I decided to read Breakfast at Tiffany’s because of the iconic movie in which Audrey Hepburn plays the eccentric 19-year-old Holly Golightly. I was drawn into the complexity of her character and her somewhat posh lifestyle. Truman Capote’s Breakfast at Tiffany’s holds a mysterious aspect to its characters, which compelled me to read more. The fact that I didn’t know too much about the narrator allowed me to experience Holly Golightly under more detail. What made the story so unique was the narration technique Capote used. By making the narrator exist as an extension of Holly, readers could experience his infatuation for her.What really made this book stand out was Capote’s sensitivity and attention to details. Holly’s New York is quite visceral and it’s almost as though I could experience the high end, New York lifestyle in real life. Holly appears an illusion and twists into any shape the people in her life expect her to be. Holly is a walking contradiction, and her mystery only increases with the numbers on the pages. She seems to know nothing about the world, yet she always seems to be one step ahead, knowing just what to say and how to act. Capote writes Holly as a person who listens only to her heart, breaks the rules and doesn't really care about the future. She is the kind of woman that can’t be tamed and who is in a continual search for the place, which she calls "home". I wished Capote had evolved Holly Golightly more as a character. When she runs away to Buenos Aires, the narrator and myself were left with many questions. Has she forgotten about her friend and that's the reason why she never writes to him? Where did her affairs bring her? Did she find that perfect place where she felt like at Tiffany's? Overall, I was pleased with the book and its wholly captivating flight into fancy composed of comedy, romance, poignancy, and Manhattan's East Side areas captured in the loveliest of colors.Michelle T.
Truman Capote was a genius. There isn't much more to say than that. The novella "Breakfast At Tiffany's" and the three short stories in this collection are a brilliant and compelling picture of human nature. Capote strikes the notes between quirky, uncommon people and their actions and simple touching stories. His characters aren't quite lovable (not people you would want to invite over to dinner with the folks) but they are nevertheless very human and often touching, not off-putting. Breakfast At Tiffany's is much grittier than the rather sanitized Audrey Hepburn-George Peppard film version. The final story in the collection, "A Christmas Memory" is potent without being sappy. Capote's style is readable yet poetic and there are times when his turn of phrase is spot on. I was also surprised that the humor in the stories have a very light touch, unlike the more notorious brutal humor of his real-life persona. This book was one of the few that I've fully enjoyed recently.
It had been a while since I last read this, and so I've grown accustomed to saying that I adore Truman Capote with the exception of "Breakfast at Tiffany's". Well, color me wrong, I adore the entirety of Truman Capote, because as much as the stupid, superficial, sterilized film has worked to dim the memory, the novella itself is a triumph. It's transgressive, radical, funny, poignant, and so well written. It's also very meta: Holly asks the narrator (very similar to Capote himself) if he thinks the people will like him writing about "negroes and old maids", whether anyone is really interested in the marginalized. This is, essentially, why he writes about Holly, who is an epitome of marginalization, but also the exact thing that got redacted in the normalization and de-queering of the novella during the movie adaptation. Ha. Well. My edition also had the three short stories: “House of Flowers†of which I'd forgotten, and enjoyed immensely and anew, “A Diamond Guitar†charged with the homoeroticism akin to that of early Kenneth Anger (was he prophecising his infatuation with Perry Smith?), and “A Christmas Memory†which I have always adored. I think the collection of the three—a story about black sex workers in Haiti, a story about prisoners, and a story about an old maidm—are the perfect counterpoint to Holly Golightly's literary criticism. Besides, they're a great sampling of Capote's range.
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