Minggu, 31 Agustus 2014

Download Ebook Jenny Saville

Download Ebook Jenny Saville

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Jenny Saville

Jenny Saville


Jenny Saville


Download Ebook Jenny Saville

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Jenny Saville

About the Author

Jenny Saville received her B.A. Honors Fine Art from Glasgow School of Art, Scotland. Saville's works are featured in several public collections, including The Metropolitan Museum of Art, New York; The Broad, Los Angeles; and Saatchi Collection, London. Richard Calvocoressi is a director and senior curator at Gagosian Gallery, London. Previously, he was director of the Henry Moore Foundation and director of the Scottish National Gallery of Modern Art in Edinburgh.Sally Mann's photographs have been the subject of major exhibitions at the Institute of Contemporary Art, Philadelphia, and the Corcoran Gallery of Art, Washington, D.C. Her work can be found in many collections, including The Metropolitan Museum of Art and the Whitney Museum of American Art. Mark Stevens is the former art critic of New York magazine. He is coauthor, along with Annalyn Swan, of the 2005 Pulitzer Prize-winning de Kooning: An American Master.Lauren Mahony organizes special exhibitions for Gagosian. She previously worked in the Department of Painting and Sculpture at The Museum of Modern Art, New York.

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Product details

Hardcover: 392 pages

Publisher: Rizzoli (September 25, 2018)

Language: English

ISBN-10: 0847862909

ISBN-13: 978-0847862900

Product Dimensions:

11.1 x 2.1 x 13.2 inches

Shipping Weight: 8.6 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#141,525 in Books (See Top 100 in Books)

4. Jenny Saville – 2018 – essays by M. Stevens, R. Calvocoresssi, Sally MannThis is a hefty tome running to 392 pages and it is contained in a slipcase. The production quality is very high, which is fitting because I paid some 90 dollars for it in 2019. This one should last.The two essays by Stevens and Calvocoressi are fine, although the reader does not get the impression that Stevens spared the time to visit the artist in her studio to get her views first hand or observe her in her natural habitat. Calvocoressi does mention a visit – so kudos to him.The conversation with Sally Mann (the photographer) was much more illuminating. I believe that only another artist can really understand the making of art and the best interviews with artists are conducted by other artists (generally speaking). These pages include some interesting photos of Saville’s studio and include some of her reference photos. After reading this section I felt that I had a good understanding of Saville’s studio practice and where she is directing her attention.The essays and the interview take up the first 40 pages or so of the book. The rest is devoted to the plates and supporting material. There is a lot of luscious art to look at and after turning the 350 pages or so of this I felt that I had a good idea of where Saville is artistically right now.I did notice something buried on page 381 that could have formed part of at least one of the essays and that was Saville’s collision with the Catholic Church in 2008. She made a painting based on a photo of her new born to replace a Caravaggio stolen in 1969 for a church in Palermo but the Vatican deemed the studies “not religious enough.” Surely for an independent female painter, one of the best in the world, this is huge. She came up against the male establishment with a feisty, muscular painting and lost.This book is not the only book about this tremendous artist, but it is a good one for those who want to see where Saville is – mid career. I would recommend it, but don’t drop it on your foot. It’s heavy.

Not cheap but worth the money. Boks on her and her work are few, and this one has lots of images, with a mix of close ups and full painting shots. Process shots and an interview are great too. The book is kinda huge which is awesome.

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